Then there is a depth of thought untouched by words, and deeper still a gulf of formless feelings untouched by thought.
Historical context[ edit ] Racial Climate in the Early s[ edit ] With legislation like the Jim Crow lawsenacted from tomany African-Americans were disfranchised.
Groups like the Ku Klux Klan terrorized black citizens, leading to the steady decline of African-American political representation. Tenant farming and sharecropping systems constituted the de facto re-enslavement of African Americans in the South, where Hurston's novel is based.
Baptist preacher Thomas Dixon, Jr. A Romance of the White Man's Burden inasserting white supremacy amidst supposed African-American evil and corruption.
The book was so popular that Dixon wrote a trilogy. His second novel, The Clansmanwas adapted for the silent film The Birth of a Nationportraying African-American men in an unintelligent, sexually aggressive light The renaissance was meant to be a liberating response to the restrictive standards of the Racial Uplift program, encouraging writers and artists to expose racist oppression in American society.
In an essay by Nick Aaron Ford, Hurston is quoted to have to said, "Many Negroes criticise my book, because I did not make it a lecture on the race problem. I am interested in you now, not as a Negro man but as a man.
I am not interested in the race problem, but I am interested in the problems of individuals, white ones and black ones.
Hurston viewed her work as distinct from the work of fellow Harlem Renaissance writers she described as the "sobbing school of Negrohood" that portrayed the lives of black people as constantly miserable, downtrodden and deprived.
In addition, Hurston refused to censor women's sexuality, writing in beautiful innuendo to embrace the physical dimension of her main character's romances. Completely rejecting the Uplift agenda, the magazine also included homoerotic work as well as portrayals of prostitution.
Readers receive the story of her life in three major periods corresponding to her marriages to three very different men. The flashback in the book begins with Janie's sexual awakening which she compares to a pear blossom in spring.
Not long after, Janie allows a local boy, Johnny Taylor, to kiss her, which Janie's grandmother, Nanny, witnesses. Nanny is an elderly woman who, as a slave, was raped by her owner and gave birth to a mixed-race daughter Leafy.
Nanny escaped from her jealous mistress and found a good home after the end of the American Civil War. Nanny tried to create a good life for her daughter, but Leafy was raped by her school teacher and became pregnant with Janie.
Shortly after Janie's birth, Leafy began to drink and stay out at night.
Eventually, she ran away, leaving her daughter Janie with Nanny. Nanny, afraid Janie's life may follow Leafy's or her own, transfers all the hopes she had for Leafy to Janie and arranges for Janie to marry Logan Killicks, an older farmer looking for a wife.
Although Janie is not interested in either Logan or marriage, her grandmother wants her to have the stability she never had; legal marriage to Killicks, Nanny believes, will give Janie opportunities.
Nanny feels that Janie will be unable to take care of herself, so she must marry a man who will take care of her. Janie's image of the pear tree causes her to imagine that marriage must involve love—in Janie's pear tree scene, she sees bees pollinating a pear tree and believes that marriage is the human equivalent to this natural process.
However, Killicks wants a domestic helper rather than a lover or partner; he thinks Janie does not do enough around the farm and that she is ungrateful. Janie speaks to Nanny about how she feels, but Nanny, too, accuses her of being spoiled.
And so, Janie's idea of the pear tree is tarnished.Liberation in Kate Chopin's The Awakening and Zora Neale Hurston's Their Eyes Were Watching God With few exceptions, our male dominated society has traditionally feared, repressed, and stymied the growth of women.
Close Reading Their Eyes Were Watching God Chapter 2 words Janie’s Sexual Awakening in Their Eyes Were Watching God One of the greatest pleasures of Their Eyes Were Watching God is that we get to experience Janie’s story through her own narrative, through the story she chooses to tell her friend Pheoby after a long journey home.
Their Eyes Were Watching God was first published in , comparing Kate Chopin's The Awakening to Zora Neale Hurston's Their Eyes Were Watching God, and contends that, of the two heroines, Janie, a slave's granddaughter, comes off the stronger compared to .
The Awakening by Kate Chopin was banned from most of the places and Their Eyes were Watching God by Zora Neale Hurston, a talented African-American writer, was hated by her own race.
Both of the books have a main character that searches for life's delirium; Edna Pontellier and Janie Starks. Their Eyes Were Watching God was originally a book by Zora N.
Hurston. Although I haven’t gotten the chance to read the book yet the assignment in African American Women Studies was to watch the movie. Liberation in Kate Chopin's The Awakening and Zora Neale Hurston's Their Eyes Were Watching God With few exceptions, our male dominated society has traditionally feared, repressed, and stymied the growth of women.