When the war came inthe strong familial bond that the family shared was severed. His mother was also of great influence, with her strong opinions on unity and community.
They worked independently from each other, however there are still some features in common in their approaches. Further in this paper we are going to discuss briefly the similarities and differences of the views and methods of the two outstanding figures of the theatre world.
Both Stanislavski and Grotowski were to stand for their unique approaches and to inculcate absolutely new ideas concerning the role of the theatre Drama essay grotowski its Drama essay grotowski, as well as ways of acting.
When Stanislavski started to apply his views about theatre operating in practice, he had to face the conventions, which were set there long before he appeared.
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However, Stanislavski was not interested in accepting the old mentality and ways of teaching actors, he aimed at introducing his own system. He had certain strict rules — like for example he was against the melodramatic theatre.
Another weak point of the existing theater Stanislavski considered to be the attitude of the actors, having little respect towards the job, they fulfilled. Building the integrity was one of the basic steps of Stanislavski.
Production, according to him, was based on constant rehearsals. The role of the actors was far from simple reproduction of their roles, Stanislavski made them work with exercises, which contributed to general emotional, physical and psychological development of his actors.
Logically, with such approach actors had much better chances to apply their own emotions and understanding of the characters, they played, and this in its turn assured believable and close to life images, created on the stage. This part of his system Stanislavski called Emotion Memory.
The main aim of acting Stanislavski saw in presenting absolute true-to-life images on the stage. There was no place for usual performance, he believed the audience was to see real events.
Not only text itself and vocal features of a character were considered, but also all gestures were related to the concrete purpose in presentation of a character. Each character should have been studied thoroughly, including his life, possible behavior and era, when he lived.
Important was the key function of the actors, which was now far from pure entertaining, but rather educative and instructing, the perception of the audience of morals and events was under the control of actors.
As soon as Grotowski got the chance to work as Director of the Theatre of 13 Rows, he used it for developing his unusual vision. Mostly his experiments touched the young actors from his provincial theatre.
The approach, used by Grotowski turned out to be a real revolution. Unlike many of his colleagues, Grotowski never stated, that theatre could compete with cinema, on the contrary, he underlined, that theatre should use its unique ability — creating of events by actors together with the audience.
Physical and mental reactions were combined in the closest way. The therapeutic function of the theatre was the major reason, why the actors should have taken the serious responsibility for their performance.
Stanislavski did his best to make theater a part of life of every actor, encouraging dedication to the system, he worked out.
Stanislavski was able to challenge the lack of respect towards theatre and too much of melodrama, instead managed to present a well constructed system, requiring dedication and hard work.
Separate place in the investigations of Grotowski referred to the so-called Objective Drama. Having traveled a lot, he came to the conclusion, that certain songs or any other performance devices have specific influence upon audience, if they are taken from traditional cultures of these people.
A lot of attention he paid to investigation of Haitian culture, namely their ritual songs Dobrowolski, Overall, we have studied the theatre systems, approaches, methods, suggesting by two outstanding figures in theatre life — Konstantin Stanislavski and Jerzy Grotowski. On the one hand they have a lot of similar features and ideas.
Like for example the yearning for absolutely close to life performance and responsibility of the actors for the moral influences of their characters upon the audience. On the other hand, there were some differences as well, for example Stanislavski was mostly concentrated upon work and performance of the actors, considering it to be the key element for the theater piece, whereas Grotowski studied the possibilities of integration of other elements, such as native music into performance.
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Grotowski * Transformation: mixture of realism, surrealism and ideological theatre. Actors transform themselves and the space representing not just characters but the entire context of the play: location, sound, and the whole world of drama.
Grotowski sought for something beyond drama. He worked to develop physical and emotional responses so that ‘impulse and reaction are concurrent’. He moved beyond the early influence of Stanislavsky towards a ritualized intensity. Free Essay: Into to Making Theatre April 22, Directing Paper: Grotowski In the realm of theater, and specifically directing, there have been numerous.
Essays on Konstantin Stanislavski and Jerzy Grotowski June 25, Posted by essay-writer in Free essays The names of Konstantin Stanislavski and Jerzy Grotowski are well-known not only for theatrical circles, because these are the two genii, who managed make a great contribution into development of theatre, of its philosophy and way of acting.
jerzy grotowski Essay Grotowski made his directorial debut in with the production 'Gods of Rain' which introduced Grotowski's bold approach to text, which he continued to Grotowski was a Polish theater director and innovator of experimental theater.